The exhibit featured my recent works representing the theme of borderline. The opening night was great fun. I hope everyone enjoyed the night as much as I did.
|  | 
| Girl with skull - Mertim Gokalp | 
|  | 
| I need warmth - Mertim Gokalp | 
|  | 
| Red Balloon - Mertim Gokalp | 
|  | 
| Separation - Mertim Gokalp | 
|  | 
| Scratch - Mertim Gokalp | 
|  | 
| Occupy - Mertim Gokalp | 
|  | 
| Out of blue  - Mertim Gokalp | 
|  | 
| Red Carnation - Mertim Gokalp | 
| .jpg) | 
| Transient (Blue Version) - Mertim Gokalp | 
|  | 
| Wine & Spaghetti - Mertim Gokalp | 
|  | 
| Hard-wired - Mertim Gokalp | 
  
Borderline: A pervasive pattern of instability of 
interpersonal relationships, self-image, and affects, and marked 
impulsivity that begins by early adulthood and is present in a variety 
of contexts
From Judith Johnson's opening speech at the opening night:
I have been asked to speak tonight as Mertimʼs friend 
from our Studio 1+2 Rozelle. Thank you all for coming to his special 
night. I consider this an honour and a privilege to welcome you to 
Borderline. You may have had time to browse around, considering his 
paintings which can be seen as strong, challenging,emotional and thought
 provoking. His theme is Borderline Personality Disorder, a significant 
mental health condition. It's a pervasive pattern of instability in 
interpersonal relationships and self image.Marked impulsive behaviours 
begin in early adulthood and itʼs present in a variety of contexts.
The artist takes a critical view of social, political 
and cultural issues.These works focus on psychological struggles of 
contemporary women, inspired by their responses to particular objects. 
It's a subject perfect for Mertim as he feels a very strong bond of 
empathy for sufferers,he has an understanding. The works are both 
arresting and yet poignant. Who are these girls ?
Mertim always conveys a strong narrative in his 
paintings, because he wants to capture deep emotions and the painful 
struggles therein. To me, these beautiful yet fragile women are the 
modern symbols of Psyche, the Greek Goddess of the Soul.
She was the mythical embodiment of the soul, purified by passions and 
misfortunes. She was thus prepared for the enjoyment of true and pure 
happiness. This may be drawing a long bow, but I do know that the soul, 
and the spirit, and the mind are all highly, personally significant for 
Mertim. References of the ʻpsycheʼ first from Plato ,through the Middle 
Ages (where it was known as ʻAnimaʼ) to Freud and Jung.... are today in 
modern cognitive psychology simplified to one word the MIND.
While he is painting these portraits, Mertim responds 
to ʻintense emotion,impulsive behaviours, instabilityʼ as he encourages 
them ʻto show their deepest feelings which may reflect fear, anger, 
desire or passionʼ Consequently, the portraits are darkly mysterious, 
enigmatic and puzzling. They seem suggestive of some other story,some 
other dimension. The wistful eyes or the steady gaze demand your 
attention. On a lighter note, may I say that we see here, incredible 
draughtsmanship and exceptional skills in painting practice. (An 
indication of his classical training at University in Istanbul.)
And so...Caravaggio, Rembrandt and Velazquez ( his 
ʻpin-upsʼ.. amongst many others!) would surely sit up and take note !! 
here is a prodigious talent. Being a finalist this year in the 
Archibald, is not the first significant award but is the latest ...and 
we expect many successes yet to come.
Judith Johnson